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Emmaus

 Cantata after St. Luke for 4-part mixed choir

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Description: english 

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Composed: 1985
Text: in English
Durata: 12'
Publication: Editio Musica Budapest

English

Emmaus, composed in 1985, is a work on a larger scale. Farkas set to music the English translation of Luke's gospel, chapter 24, verses 13-35. Here the evangelist narrates the continuation of the story of the Passion: 

“And, behold, two of the eleven [disciples] went that same day to a village called Emmaus, which was from Jerusalem about threescore furlongs. And they talked together of all these things which had happened. And it came to pass, that, while they communed together and reasoned, Jesus himself drew near, and went with them. But their eyes were holden that they should not know him. And he said unto them, What manner of communications are these that ye have one to another, as ye walk, and are sad? And the one of them, whose name was Cleopas, answering said unto him, Art thou only a stranger in Jerusalem, and hast not known the things which are come to pass there in these days? Jesus of Nazareth was a prophet mighty  in deed and word before God and all the people: And how the chief priests and our rulers delivered him to be condemned to death, and have crucified him. But we trusted that it had been he which should have redeemed Israel: and beside all this, to day is the third day since these things were done. Yea, and certain women also of our company made us astonished, which were early at the sepulchre; And when they found not his body, they came, saying, that they had also seen a vision of angels, which said that he was alive. And certain of them which were with us went to the sepulchre, and found it even so as the women had said: but him they saw not. Then he said unto them, 0 fools, and slow of heart to believe all that the prophets have spoken: Ought not Christ to have suffered these things, and to enter into his glory? And they drew nigh unto the village, whither they went; and he made as though he would have gone further. But they constrained him, saying, Abide with us: for it is toward evening, and the day is far spent. And he went in to tarry with them. And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight. And they said one to another, Did not our heart bum within us, while he talked with us by the way, and while he opened to us the scriptures? And they rose up the same hour, and returned to Jerusalem, and found the eleven gathered together, and them that were with them, Saying, The Lord is risen indeed, and hath appeared to Simon. Thus it is written and thus it behoved Christ to suffer, and to rise from the dead the third day. The Lord is risen indeed, and hath appeared to Simon. And they told what things were done in the way, and how he was known of them in breaking the bread”. 

Elements from earlier periods of musical history are at every moment present in Farkas' cantata, but he uses them as pieces of a mosaic, building from them a new musical world. Already in his forties Farkas had written himself into the finest pages of the history of Hungarian music and he composed many masterpieces in the succeeding decades; now, in his eighties, well beyond the limits of the biblical period, he reaches a new standard. He has changed from his former self; his music has become refined and of extreme density. His renewal at the end of the twentieth century was one not of discord and alienation, but of pleasingly harmonious and unusually sensuous sound. Emmaus sensitively follows the changes in the text with music that is at every moment strong in its presentation of events - from the simplified rhythmic narration of what is happening, to the words and deeds of the apostles as described in the imitative turba choruses, plus the mystic and thrilling atmosphere of the music when Jesus appears, twice speaks, and breaks the bread. 

László Gombos

This article was last updated on Thu, Jul. 28 2016

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